This slice-of-life drama was a quirky concoction of midlife crises, emotional constipation, and nostalgia. It’s not going to set your pulse racing or redefine the genre, but it got enough charm to keep you interested, for the most parts. The story follows Motoko, a 34-year-old woman whose life got a kick in the pants when her friend absconded with 300 million yen. Then, there was a sexually frustrated manga artist, a melancholic professor, and an emotionally stunted young landlord. It was basically the setup for a comedic entanglement, but instead, you get slow-burning introspection with the occasional dash of the familiar Japanese absurdity. There’s something hypnotic about watching these women fumble their way to self-discovery, finding happiness in their mundane fractured lives. It had this warm nostalgic glow all over it but that couldn't save it from some inconsistencies and shortcomings. Particularly with its 2nd half where the drama already exhausted most of the personal stories around the housemates and what left was a lot of emptiness. There was an opportunity to dedicate an episode for the young landlord since she was the fourth wheel in the dynamic. Suika was the kind of drama that doesn’t try too hard to impress, and somehow that was its biggest charm. It wasn't revolutionary, but if you’re in the mood for a contemplative drama with a few laughs and a lot of heart, this one might be worth it.
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This slice-of-life drama was a quirky concoction of midlife crises, emotional constipation, and nostalgia. It’s not going to set your pulse racing or redefine the genre, but it got enough charm to keep you interested, for the most parts. The story follows Motoko, a 34-year-old woman whose life got a kick in the pants when her friend absconded with 300 million yen. Then, there was a sexually frustrated manga artist, a melancholic professor, and an emotionally stunted young landlord. It was basically the setup for a comedic entanglement, but instead, you get slow-burning introspection with the occasional dash of the familiar Japanese absurdity. There’s something hypnotic about watching these women fumble their way to self-discovery, finding happiness in their mundane fractured lives. It had this warm nostalgic glow all over it but that couldn't save it from some inconsistencies and shortcomings. Particularly with its 2nd half where the drama already exhausted most of the personal stories around the housemates and what left was a lot of emptiness. There was an opportunity to dedicate an episode for the young landlord since she was the fourth wheel in the dynamic. Suika was the kind of drama that doesn’t try too hard to impress, and somehow that was its biggest charm. It wasn't revolutionary, but if you’re in the mood for a contemplative drama with a few laughs and a lot of heart, this one might be worth it.